Movies for keeps in 2010

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Vegetate

This is social realism at its most critical, the kind of movie enshrined in Chinese textbooks yet rarely seen on the big screen. This sharp criticism of China's pharmaceuticals industry, which churns out so many products you'd wonder if there is any testing or inspection, is built on a series of twists and turns that's melodramatic on the surface yet hint at inner truth.

A worthy follower of Julia Roberts' Erin Brokovich or Russell Crowe's The Insider, Vegetate falls short on casting and the absence of star power hinders its box-office performance.

Detective Dee and the Mystery of the Phantom Flame

This lavishly produced whodunit shows China during its most extravagant period, the Tang Dynasty (AD 618-906), with the sole female ruler in its history, Empress Wu Zetian, on the throne. The intricate plot keeps the audience on edge and the starry cast is matched by the mammoth but ingeniously conceived set.

It is a Chinese response to the new Sherlock Holmes movie starring Robert Downey Jr., but Detective Dee, though a historical figure, was mostly created by a European sinologist. So, cross-cultural influences go to the very root of this action suspense thriller.

The War of Internet Addiction

This is not a theatrical release, but an online feature made by maneuvering visual elements in games, but with an original storyline and dialogue dubbed by people all over the Net.

But the movie is more than a technical feat. It gives voice to a huge swath of the online population whose frustrations at being cut off from their favorite online game has come to exemplify an age of angst and anger. The climax scene is so heartfelt it has the effect of a bolt of thunder.

Love in a Puff

Pang Ho-Cheung captures the urban vibe in this quietly observant study of modern dating.

The free-flowing plot is a reflection of a new generation with its laissez-faire attitude and hard-to-define notions about love.

Honorable mention:

Avatar and Inception (pictured above) are not Chinese fare, yet their impact has gone beyond the film industry in China.

The former has set a new box-office record that may take years to be surpassed and along with it, a new standard for technical excellence and imagination.

The latter has kindled a public interest in dream interpretation, something Sigmund Freud never achieved on such a scale among the Chinese populace.

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