"The rock carvings at Tian Yi Tomb should be considered national
heirlooms!" Shu Yi, son of famous writer Lao She (1899-1966) and
curator of the Chinese Contemporary Literature Museum, was prodigal
in his praise of the stone sculptures there. "They are absolutely
the best of the Chinese ancient stone inscriptions at its peak,
showing prime decorative art with classical Chinese style!" he
said.
In his eyes, the most interesting articles should go to three
big rectangular stone tablets with low relief patterns. Shu Yi
said: "A magical decorative carving could be seen on one side of a
stone tablet, where I find nearly 10 kinds of flowers and trees in
an area less than one square meter, including a dandelion and a
morning glory. You may also discern the figure of a mantis hidden
in the bushes as well as a katydid and a cicada. These patterns are
life sized with completely true presentations, even the long palps
and transparent wings being accurately carved. It is first rate
art."
Shu Yi wrote an article with a strong appeal for more protection
of the tomb. "This is a museum of valid decorative art carved in
rock. Everyone should have a look to understand the mindset,
romance, playfulness and grace upon China's lowliest people.
Together with their unique culture and art heritage this is a part
of China totally different from the rest of the world."
(China.org.cn December 7, 2007)