The newly-opened National Center for the Performing Arts becomes the focus of attention for both concert-goers and the curious. Photos by Jiang Dong

 

The three-day New Year's holiday was windy and cold. But that didn't stop big crowds from making their way to the newly-opened National Center for the Performing Arts (NCPA).

 

A few days before, a Swiss man surnamed Meyrat spent half an hour at the box-office registering to become a member of the NCPA VIP Club and bought two tickets to a Chinese drama performed by the Shanghai Dramatic Arts Center in February.

 

Seiji Ozawa leads the National Symphony Orchestra of China in a rehearsal for the New Year's concert.

 

A regular theater-goer who has just started working at a Beijing-based international organization, Meyrat says he liked what he saw of the new egg-shaped center.

 

"I did not visit the whole venue, but I have been impressed by the outside architecture, it is one of the best theaters in the world," he says.

 

"It's a shame that all the shows in January have sold out."

 

Hundreds of visitors descended upon the NCPA during the New Year's holiday. They walked around the "eggshell" surrounded by water, visited the galleries, took photos and checked out the brochures, but to their great disappointment, all the shows in January were sold out.

 

"It's a pity," says Yang Hong, a teacher in her 30's who accompanied her father to buy tickets for a Peking opera play but left empty-handed. "Next time, I will check the information online and try to book tickets in advance."

 

More than 50 people camped outside the box-office all night to get tickets of the concert on January 1.

 

If this year's program is any indication, things will be just as hectic inside the theater as they are outside.

 

Dancers from the Kirov Ballet, from Russia, perform Swan Lake.

 

Following Valery Gergiev conducting his Mariinsky Theater in Prince Igor, Kirov Ballet will perform Swan Lake, Jewels and Le Corsaire till January 6.

 

But to get things started, Seiji Ozawa took the baton of the National Symphony Orchestra of China for concerts on December 31 and January 1, featuring brilliant pianist Lang Lang, Russian pianist Vadim Repin, American soprano Kathleen Battle and Chinese organist Shen Fanxiu.

 

"I was born in China, so it's special for me to perform the first New Year's concert at NCPA," the 72-year-old Ozawa says.

 

"Actually I came here two years ago to see the progress of the building and discuss the concert.

 

"This is amazing architecture. I know Chinese make big things, such as the Great Wall. But this is really beyond my imagination and I have never seen such a big organ."

 

Chen Zuohuang, music director of the NCPA, hailed the New Year's concerts, which featured musicians from Japan, Russia, the United States and China.

 

A cleaner works at the National Center for the Performing Arts.

 

"They represent different cultures and artistic styles but all together this is a credit to NCPA," Chen says.

 

He says that Ozawa adjusted his schedule several times to make the concerts happen. Chen says that Ozawa, who suffers from a health condition, even refrained from telling his wife and doctor in case they tried to stop him from coming.

 

All the musicians were impressed by the new theater. "The eggshell is a phenomenal structure, especially the water outside. The atmosphere inside is very comfortable and the performers have close contact with audiences," says the violinist Repin.

 

"This is absolutely magic, fantastic architecture. It's beautiful, not only to see but hear," says the soprano Battle.

 

"This is my fourth visit to Beijing, but the experience this time has been the best. I feel so honored to perform with these great artists here.

 

"Back home in New York, everyone is talking about China and the 2008 Olympics."

 

Lang Lang played Beethoven's Choral Fantasy in C Minor at the New Year's concerts and gave a master class, which was open to public.

 

Chen says he was excited when he found out that Ozawa would play the Choral Fantasy with Lang Lang, because 11 years ago, when Chen served as the first artistic director of the National Symphony Orchestra of China, he invited Lang Lang to perform the piece at the orchestra's first concert.

 

A reporter fixes her microphone before the press conference of world famous soprano Kiri Te Kanawa.

 

"That year Lang Lang was a promising 14-year-old. Today he is a world-famous pianist. I hope this is a lucky sign for the new-born NCPA," Chen says.

 

Lang Lang also recalls that concert. "I remember it was only the third time I played with an orchestra, but conductor Chen believed in me and let me perform."

 

"Now, 11 years later, I have learned more and have a better understanding of the music and maybe the new NCPA will give me something new when I play it."

 

Lang Lang says that he and Ozawa were both born in the Chinese city of Shenyang and he thinks this link helped inspire an onstage chemistry.

 

Attracting hundreds of children and their parents, Lang Lang's master class turned out to be the best-received educational program that NCPA has organized.

 

"Education is important in promoting classic music," Lang Lang says.

 

"Many prestigious venues abroad such as the Carnegie Hall provide high-level educational programs every season. I have heard that NCPA plans to organize some 300 educational events every year. It's so good.

 

"I think the musicians should give classes in flexible ways, sharing their personal feelings for music and inspiring kids to enjoy music."

 

Between Ozawa's New Year's concerts and Lang Lang's recital, on January 2, New Zealand soprano Kiri Te Kanawa became the first foreign opera star to sing at NCPA. Te Kanawa treated the audience to 21 thrilling songs plus an encore.

 

"We have waited for more than 20 years to hear Te Kanawa live in China," music critic Chen Li says.

 

"Her voice is so natural and delicate. She never tries to be dramatic for the sake of performing, but is always so touching."

 

Te Kanawa says that even though she has performed many times, there was something special about her Beijing debut.

 

"I have been looking forward to coming to China for a long time. Now I'm so happy to sing at this amazing theater, which the rest of the world will see very soon. I carefully selected the program for the concerts and really enjoy singing for my fans here," she says.

 

Left: The new center is a venue for a variety of performing arts. Right: Dogs used for security purposes wait at the back of the stage during a rehearsal.

 

(China Daily January 4, 2008)