Daming Palace rises again in Xi'an
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The Daming Palace was the center of politics, economics and culture during the Tang Dynasty. In the 280 years of its existence, the Daming Palace functioned as the hub of international communication at that time. More than 17 emperors have lived and presided over government affairs in the palace. |
"On one hand, we hope the ruins of the Daming Palace can reflect the splendor of the Tang Dynasty; on the other, we hope the ruins will be an attractive spectacle in a modern Xi'an and a part of the city life," says Ren Xi'an.
Danfeng Gate, built at the cost of RMB 130 million, literally links modernity with ancient times. Zhang Jinqiu, who has been engaged in research and design of Tang-style architecture for 30 years, holds that ancient architecture should be blended into the city's existing environment and layout.
"The scale, measurements and shape of Danfeng Gate are built in strict Tang style," says Zhang Jinqiu. Actually, the reconstructed Danfeng Gate is a museum built on the site of the Tang Dynasty Danfeng Gate. Visitors have a panoramic view of its archaeological excavation. To protect the ruins, the new building stands 0.6 meters from the ruins, and can be dismantled easily when archaeological excavation needs.
The design of the palace is to add a two-meter-thick layer of earth on the foundation of the rammed earth. Based on this, some removable steel structures can be put up to show the palace's structure, and on this platform trees and grass can be planted to indicate Tang traces.
The Daming Palace Ruins Region is more like a "green lung" for Xi'an, with its green area exceeding 70 percent. The park administrator hopes that it can play a role similar to Central Park in New York City, alleviating the city's hot island effect, lowering temperatures, removing dust and filtering the air.
"The Daming Palace is an exemplary building and a landmark of Chinese history; it has huge economic value that will become evident in the future. We can be proud of the Daming Palace Ruins Region as a Chinese model and an Oriental model for the protection of cultural heritage," concludes Giora Solar.
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